British Theatre Design: British Theatre Design, The Modern Age, edited by John Goodwin, Weidenfeld and Nicolson, London, 1989. Billington, ONS, Michael Billington: One Night Stands, Nick Hern Books, London, 1993. Billington, Ashcroft, Michael Billington, Peggy Ashcroft, Mandarin Books, London, 1989. List of Abbreviations and References in Text Barrault, Jean-Louis Barrault, Memories for Tomorrow, translated by Jonathan Griffin, Thames and Hudson, London, 1974. Finale of Guys and Dolls, setting by John Gunter, (Royal National Theatre), 1996, see p. Set by Josef Svoboda for Wagner's Gotterdammerung, Act Three, Scene One (Royal Opera House, Covent Garden) 1976, see p. Set by Michael Annals for Peter Shaffer's The Royal Hunt of the Sun, (Royal National Theatre) 1964, see p. Set by Jocelyn Herbert for Brecht's Gallileo, Act One, (Royal National Theatre), 1980, see p. Set by Tanya Moseiwitch for Shakespeare's Histories (Richard II-Henry V) (Stratford-on-Avon), 1951, see p. Janacek:JettM/a, set by Tobias Hoheisel, Act One (Glyndebourne Opera), 2000: see p. Set by Oliver Messel for Jean Anouilh: Ring Round the Moon, Act Two, (Globe Theatre), 1950: see p. Designs by Sally Jacobs for A Midsummer Night's Dream, (Royal Shakespeare Company), 1962: see p. David Burke, Sara Kestelman, Matthew Marsh in Michael Frayn's Copenhagen (Royal National Theatre), 1998: see p.
Ralph Richardson: Peer Gynt (1945): see p. List of Illustrations (between pages 80 and 81) I am also grateful for support from the special fund of the English Department at Birkbeck College in the publication of this book, and to David Atkinson for compiling the index. Tions, and whose interest and response has been a constant help. Finally, I would like to record my thanks to my wife, who has accompanied me to many produc. The positive support and encouragement of Professor Leonee Ormond has also been invaluable. Discussions with colleagues at Birkbeck have given me many insights.
Over many years I have been helped by conversations with Professor Willard Pate of Furman University, South Carolina whose knowledge of the theatre in London, and whose enthusiasm have always been stimulating. Professor Katharine Worth made many further useful suggestions and corrections as well as encouraging me in the project. Vesna Goldsworthy who made invaluable comments on the first draft of this book and to Harriet Bagnall who, through her knowledge of the theatre, made many useful suggestions to improve and clarify it. I would also like to express my thanks to Dr. Wagner: Gotterdammerung (Ray Dean), Loesser, Guys and Dolls (John Haynes). Shaffer: The Royal Hunt of the Sun (Angus McBean, The Harvard Theatre Collection, The Houghton Library). Brecht: Gallileo, (McDougall/Group Three Photographs). Shakespeare, A Midsummer Night's Dream Henry V (The Shakespeare Centre Library, Stratford-on-Avon). Janacek: Jenufa, (Mike Hoban) Anouilh, Ring Round the Moon (Victoria and Albert Museum Picture Library). Michael Frayn: Copenhagen, (Conrad Blakemore). Laurence Olivier: Macbeth John Gielgud: Prospero (Angus McBean, The Harvard Theatre Collection, The Houghton Library). The Stage and Performance Words Vision MusicĪcknowledgements I would like to record my thanks for permission to reproduce the copyright photographs in this book as follows: Ralph Richardson: Peer Gynt (Naomi Campbell/John Vickers). List of Abbreviations and References in Text This book is dedicated to the past, present and future students of the Department of English at Birkbeck College in the University of London. Typeset by RefmeCatch Limited, Bungay, Suffolk Printed and bound in Great Britain by Cambridge University Press No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without prior permission in writing from the publisher. Title PN1707.M83 2000ĭistributed in The United States, Canada and South America by Transaction Publishers 390 Campus Drive Somerset, New Jersey 08873 All rights reserved. Making theatre: from text to performance/Peter Mudford. THE ATHLONE PRESS LONDON & NEW BRUNSWICK, NJįirst published in 2000 by THE ATHLONE PRESS 1 Park Drive, London NW11 7SG and New Brunswick, New Jersey © Peter Mudford 2000 Peter Mudford has asserted his right under the Copyright, Designs and Patents Act 1988, to be identified as the author of this work British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0485 11551 4 HB 8 1 PB Library of Congress Cataloging-in-Publication Data Mudford, Peter. Making Theatre From Text to Performance PETER MUDFORD
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